Paid software, plugins, and free/open source technology meant there were more options than ever for creating Digital Cinema Packages.
This has always come at a steep price, especially in the early days when large post-houses were charging $20,000 (or more) for a feature length DCP.Īs the years went on though, new tools/software platforms hit the market and made DCP creation more accessible. While the format has many upsides – notably image quality and reliable playback – its underlying technology has often been a source of confusion and frustration, leaving many filmmakers to rely on 3rd party sources/specialists to create DCPs for them. The format was developed in the 1990’s a replacement for 35mm projection, and has since been implemented in virtually every major cinema in North America (and most of the world). DCPs (or Digital Cinema Packages) have long been the gold standard for digital feature film exhibition in theatrical venues.
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